_SPEC_SHEET // Bård & Jennifer Ionson
Installation Specification & Art Catalog
Balloons In The Sky // Ethereum Mainnet
Download PDF version ↗00 // ARCHITECTURAL & FACILITIES SUMMARY
Information for Architects & Room Designers
Balloons In The Sky is a self-contained installation, but the venue still needs to plan around real electrical, structural, and spatial requirements. This section consolidates everything an architect or room designer needs for power, heat, structural loading, footprint, and logistics planning — independent of the art-historical and on-chain material that follows.
0.1 POWER & HEAT LOAD
0.2 FOOTPRINT & CLEARANCES
0.3 THE DISPLAY — REFERENCE SPECIFICATION
The following reflects a current reference/estimate display model, used for structural and logistical planning. The artist remains open to a different screen, selected to suit the final venue and its lighting conditions.
DISPLAY HARDWARE & PERFORMANCE
STRUCTURAL WEIGHT & MOUNTING
LOGISTICS & TRANSIT PACKAGING
REGULATORY METADATA
OPEN TO ALTERNATE DISPLAY
A panel with greater anti-reflective or matte coating may be preferable in bright gallery environments to minimize glare. Lighter-weight screen options are also possible where structural load or wall-mounting capacity is limited — the artist can provide a shortlist of suitable panels on request once the architect or room designer shares the available space and weight constraints. The installation's generative system and smart contract architecture natively support landscape, portrait, or square orientation, and can also accommodate a screen that physically rotates between orientations — the active orientation is controlled live by the deed holder via the web app.
0.4 CONNECTIVITY & CABLING
0.5 LIGHTING & ENVIRONMENT
Ambient light directly affects how visible and legible the AI stream is to visitors. A space with controllable lighting, or a recessed/shaded alcove for the screen, is strongly preferred over an evenly bright or sunlit room. The workstation and printer require no special environmental controls beyond standard indoor conditions.
Note: a fully unattended electronic installation running for the duration of an exhibition may be subject to local fire code or insurance requirements in older or historic buildings — worth confirming early with the building's code authority.
01 // THE ARTWORK
The Simulation of Joy — A Memento Vitae
Balloons In The Sky is the final resolution of The Simulation Trilogy — a digital love letter to the Albuquerque International Balloon Fiesta. A custom AI model trained on thousands of authentic photographs taken by Bård and Jennifer at the Fiesta generates an infinite, never-ending stream of unique hot air balloons floating over the New Mexico desert. This work embraces the simulation not as a loss, but as a new environment to be inhabited: a Memento Vitae for the digital age.
THE SIMULATION TRILOGY
The Collaborative Eye
To build this system, Bård and Jennifer Ionson immersed themselves in the mass ascension at the Albuquerque International Balloon Fiesta — first watching hundreds of balloons expand from the ground, then joining them in a twelve-person basket. Drifting with the wind as five hundred balloons rose in waves, they captured the sky from the inside out.
Jennifer Ionson captured the event through 3,000 digital SLR photographs; Bård Ionson documented the morning through 700 frames of 35mm half-frame film. By weaving digital clarity with analog grain, the artists created a custom generative AI that understands both the physics of flight and the emotion of the light.
“A machine can draw a thousand balloons but cannot see the wind. It takes a human eye to know when the light is right. Your button press is not an automation; it is a signature. You are the curator of this moment.”
02 // THE EXPERIENCE
How It Works
Balloons In The Sky is engineered as a self-contained, autonomous art-delivery system — a “living” node designed for archival permanence. Visitors encounter the machine in the gallery and are invited to participate directly.
03 // TECHNICAL SPECIFICATIONS
Hardware — The Node
Each Balloons In The Sky node is a custom-built, gallery-quiet SFF (Small Form Factor) GPU workstation. The complete node is a self-contained, exhibition-ready system requiring under 2 hours to set up.
3.1 GPU WORKSTATION BUILD — INVOICE #5551, FATECH INTERNATIONAL — FEBRUARY 2026
3.2 GPU DETAIL — PNY NVIDIA RTX PRO 4000 BLACKWELL
3.3 CASE & PHYSICAL FOOTPRINT
3.4 THE DISPLAY
3.5 THE DNP DP-QW410 PRINTER — THE ON-DEMAND PRINT ENGINE
Integrated into every node, the DNP DP-QW410 dye-sublimation printer (US model) produces archival-quality prints at the moment of collection — a tangible artefact issued simultaneously with the on-chain NFT mint.
3.6 THE RED BUTTON INTERFACE
The physical Red Button is an industrial-grade tactile interface — the sole point of human interaction with the generative AI stream. Designed for immediate response, it triggers the simultaneous capture, NFT mint, and print sequence. Drawing on the Fluxus tradition that “art is choosing,” the button becomes the pilot's burner: a tool to navigate the algorithmic winds.
04 // THE AI MODEL
The Intelligence — Proprietary StyleGAN
Unlike projects that rely on centralized servers or generalized AI models, Balloons In The Sky runs a fully autonomous, self-contained generative entity. The model is trained exclusively on original photography captured by the artists — no third-party data, no prompt engines.
THE THREE AI MODELS — ALL ATTACHED TO THE INSTALLATION DEED
Three distinct StyleGAN models are included with the installation — each trained on the same 3,700-image dataset but optimised for a different aspect ratio. All three .pkl files are stored on Arweave, cryptographically attached to the installation deed. The deed holder selects the active model via the smart contract, which the sky_balloons container reads in real time.
Arweave URL (portrait model): arweave.net/Hs-9mTTSC7IxtcwGyNEDdaA9XKJFCCRVxBErdsDHXI
SOFTWARE ARCHITECTURE
GITHUB REPOSITORIES
05 // INSTALLATION WEB APPLICATION
The sky_balloons_web App
The installation web application is the digital interface between visitor, machine, and blockchain. It handles payment processing, NFT minting, print dispatch, and live system monitoring — all operating in a geo-fenced environment that is physically locked to the installation site.
06 // SMART CONTRACT ARCHITECTURE
On-Chain Governance
Balloons In The Sky is governed by a suite of smart contracts deployed on Ethereum mainnet. The contracts form a complete financial and governance protocol — managing NFT minting, deed ownership, stewardship controls, and autonomous revenue distribution. The key is the work.
DEPLOYED CONTRACTS
Live Visual Control — Web App & Smart Contract
The installation web app (sky_balloons_web) reads the active smart contract state and writes a contract_settings.json file on the GPU workstation. The StyleGAN container (sky_balloons) polls this file every generation cycle, meaning every visual parameter of the simulation can be changed in real time — by the deed holder from anywhere in the world, or by gallery staff on-site through the web app interface. There is no restart required; changes take effect within the next keyframe.
DEED HOLDER CONTROLS — FULL PARAMETER SET
All parameter changes are recorded on-chain with a timestamp, creating a permanent provenance log of every configuration the installation has run in its lifetime.
REVENUE DISTRIBUTION — PHASE 1: THE PREMIERE
During the Lisbon premiere at NFC Summit, revenue is optimised to favour the creator's equity and the initial seeding of the operational maintenance fund:
REVENUE DISTRIBUTION — PHASE 2: LONG-TERM STEWARDSHIP
Upon acquisition and deed transfer, all future minting revenue is governed by the Phase 2 protocol — creating a self-sustaining economy for the artwork's indefinite life:
The Steward's 45% share functions as the artwork's autonomous endowment, ensuring the memory of the flight is maintained, shipped, and exhibited indefinitely. The more the installation is shown, the more everyone earns.
07 // COLLECTOR EDITION
What the Collector Acquires
The work is offered as a single, complete lot: the entire creative node that produces it. This is not a print or an NFT — it is the entire generative engine, economy, and governance system. A working artwork that functions as its own institution.
THE PHYSICAL INSTALLATION
- —GPU Workstation — Professional-grade, gallery-quiet Fractal Design Terra case (343 × 153 × 218 mm); AMD Ryzen 7 9700X + PNY NVIDIA RTX PRO 4000 Blackwell 24 GB GDDR7
- —The Display — 75" high-brightness portrait display (configurable to landscape or square via smart contract)
- —Physical Red Button Interface — the industrial-grade interactive trigger for visitors
- —DNP DP-QW410 Dye-Sublimation Printer (US model) — produces archival prints (20 × 11 cm) at point of collection
- —All Three AI Models — Portrait, Landscape, and Square StyleGAN models, each trained on 3,700 original photographs; all stored on Arweave and attached to the installation deed
- —Generative Code — the complete software driving the infinite balloon stream
THE DIGITAL ASSET
- —Master Smart Contract — governs the installation, all three AI models, and all NFT minting on Ethereum mainnet
- —NFT Ownership Key / Deed — unique NFT deed grants legal and on-chain control of the installation and all its future activity
- —Full Visual Control Suite — active model selection (portrait / landscape / square), truncation, speed, w-frames — all adjustable on-chain by the deed holder in real time
- —Pre-Transfer Sales Inheritance — upon transfer, the new owner receives their share of all NFT sales generated before the transfer
08 // GALLERY FUNDING & INSTITUTIONAL STEWARDSHIP
The Self-Funding Institution
Balloons In The Sky utilises a self-replenishing operational fund integrated directly into the smart contract. Unlike legacy media art, this work generates its own perpetual revenue through visitor interaction. These funds autonomously cover the work's lifecycle: from technical maintenance and logistics to educational programming.
“Nam June Paik's works are deteriorating in museum storage worldwide because no one budgeted for the ongoing cost of cathode ray tubes and specialist repair. Institutions accepted the donations in good faith, but without a dedicated maintenance fund, the works slowly die. Balloons In The Sky solves this structurally. The perpetual care fund isn't a grant application or a capital campaign — it's built into the smart contract. Every visitor who presses the button contributes directly to the institution's ability to keep the work running. The collector is not asked to write a second check. The museum is not asked to apply for a conservation grant. The artwork funds its own future.”
THE IDEAL COLLECTOR PATH — PHILANTHROPIC ACQUISITION
INITIAL MAINTENANCE POOL — A portion of premiere revenue (15% of all NFC Summit sales) transfers to the new owner in the installation wallet at the moment of acquisition — providing an immediate operational reserve for maintenance, shipping, and first exhibition costs.
09 // EXHIBITION & CONTACT
World Premiere
ARTIST CONTACT